Our gears
We own all of our equipment, trucks, warehouse
Although a small company, our extensive inventory is second-to-none and consist of state of the art, concert/touring-caliber equipment. These are some of the best sounding, most reliable equipment money can buy. We are proud to be able to offer such high level of service and top-notch equipment at truly affordable rates because of our small size and low overhead – and the fact that we own all of our equipment, transportation, and facility. (Yes, that's a lot of speakers we own.)
Digital clarity with analog warmth
We utilize 96KHz, 24-bit digital audio path between stage and front-of-house (FOH), so audio is pristine, free of hum, buzzes, crosstalk, noise, or high frequency loss common with analog systems. This also allows us to easily have 500ft+ runs between stage and FOH. Audiophile-grade converters give impeccable clarity and slam. Whether using one of our very capable digital consoles or high-end analog mixing consoles, analog warmth and very high headroom is immediately noticeable. No noise, no feedback, no clipping.
Inventory and available systems
In the sound business, one size does not fit all. The equipment must be purposeful and suitable for the venue and application. We own and operate several rider-friendly, award winning systems which get specifically tailored to your event and venue. Click the button on top of page for our current inventory. We feature:
Lighting:
FOH speaker systems:
Mixing Consoles:
Stage monitors:
Snakes:
Processors:
Microphones, DI:
All our components are on online UPS systems or AC voltage regulators directly connected to our power distros. This ensures clean, reliable power and makes the system impervious to brownouts and short outages.
Although a small company, our extensive inventory is second-to-none and consist of state of the art, concert/touring-caliber equipment. These are some of the best sounding, most reliable equipment money can buy. We are proud to be able to offer such high level of service and top-notch equipment at truly affordable rates because of our small size and low overhead – and the fact that we own all of our equipment, transportation, and facility. (Yes, that's a lot of speakers we own.)
Digital clarity with analog warmth
We utilize 96KHz, 24-bit digital audio path between stage and front-of-house (FOH), so audio is pristine, free of hum, buzzes, crosstalk, noise, or high frequency loss common with analog systems. This also allows us to easily have 500ft+ runs between stage and FOH. Audiophile-grade converters give impeccable clarity and slam. Whether using one of our very capable digital consoles or high-end analog mixing consoles, analog warmth and very high headroom is immediately noticeable. No noise, no feedback, no clipping.
Inventory and available systems
In the sound business, one size does not fit all. The equipment must be purposeful and suitable for the venue and application. We own and operate several rider-friendly, award winning systems which get specifically tailored to your event and venue. Click the button on top of page for our current inventory. We feature:
Lighting:
- Blizzzard LED moving heads for incredible light show
- IP65-rated LED Par 64 "smart lighting" cans
- Wireless control
FOH speaker systems:
- Danley GH60, SH46, TH118 subwoofer. Reference quality sound at rock concert volume. Phenomenal pattern control.
- EAW NTL720 3-way active line array with DSP focusing. Amazing sound, great sight line for concerts & corporate events.
- SLS LS8695 ribbon line column array with DEQX processing. Audiophile-quality concert sound
- Renkus-Heinz Iconyx powered line column and SLS RT112. For small & intimate venues.
- JTR Orbit Shifter 4000W (RMS) powered subwoofers with DSP processing. Voted #1 by top DJs.
Mixing Consoles:
- Roland M-480 and M-400 96 channel digital consoles. World-class preamps and incredible headroom.
- APB Dynasonics Spectra T 56 channel mixing console. Quite possibly the world's best live analog console.
- Yamaha IM8-40 48 channel mixing console. Heart and sound of a PM-5000 in a mid-format console.
- APB ProRack House 20 channel compact rackmount mixer. The world's highest fidelity small-format mixer.
- Dan Dugan automixer for speech, debate, forum, panel discussion
Stage monitors:
- Renkus-Heinz PN121 powered 12-in, 2-way reference quality monitors. So flat, feedback is non-existent.
- JBL Professional PRX612m powered 12-in, 2-way compact stage and keyboard monitors
Snakes:
- Roland S-4000 and S1608 REAC digital snakes. 144 inputs x 64 outputs. 660ft run via CAT5, 1 mile via fiber optic
- Rapco Horizon 250ft 24 x 4, Whirlwind Medusa 100ft 16 x 4
- Gepco AES/EBU digital snakes
Processors:
- Yamaha SPX2000, TC M3000, Lexicon MPX-1 reverb/multi-effects processors
- Sabine FBX and GRQ digital equalizers, feedback eliminator, dBx digital compressors
- dBx Driverack 4800, Yamaha SP2060, XTA DP226, DEQX speaker processors
Microphones, DI:
- Shure UHF wireless systems with Earthworks, KSM9, and Beta 87 capsules
- Audio Technica boundary and Crown PZM mics
- Rode, AKG, KAM, Audix, Shure instrument mics
- Countryman Associate and Shure headset/headworn and lapel (clip) mics
- Premium DI boxes by Radial, Countryman Associates, Whirlwind
All our components are on online UPS systems or AC voltage regulators directly connected to our power distros. This ensures clean, reliable power and makes the system impervious to brownouts and short outages.